“It doesn’t matter if your guests will not buy my gloves, just come and make sure to stay with me at least one hour or don’t come at all”.

Over nine years time, this would be the only answer that Mauro Squillace, a 4th generation glove maker in Naples, would give me when I was calling to organize a visit for my students or friends to his Omega glove factory. Located in the third no-elevator floor of an ancient building at the entrance of the Sanità district, his “factory” couldn’t look less than that, being more similar to typical neapolitan apartment when a bunch of employees (family members for Mauro, some of which have been working since Mauro’s father was in charge) would be very busy in the final production steps of the last 100% made in Naples leather gloves, the only ones that, in Mauro’s words, survived the era and the temptations of globalization.

About this Mauro used to say: “I don’t like to send e-mails: even at times of globalization a phone call before or a shake of hands later are always the best contract”.

When I first met Mauro he couldn’t speak any English, while of course he was fluent in French because of his frequent relationships with Paris. And so our visits to Omega would always sound like a cabaret show with me trying to translate whatever came to his mind, from the glorious past of the Bourbon kindgdom, to  jokes in dialect, to the smallest technical detail of glove making. In a few years Mauro would not need my translation anymore, he would explain everything in his perfect Neapolitan – English (even the jokes) and I could relax and enjoy the show with my guests. Students and visitors were so fascinated by his passion and competence that we always ended up to spend there the double of the scheduled time, with a good 30 minutes in buying those wonderful pairs of gloves. Meeting Mauro was for my students the first very original encounter with the best that the heart of Naples could offer, beyond the beauty of the post-card stereotypes. Mauro was a gentle, proud Neapolitan, a skillful, honest, stubborn hard worker, a life lover with a great passion for food, motorbike and Massa Lubrense sea.

Well, Mauro Squillace just left us, in silence, after over one year of struggling with a bad cancer, a situation that noone but the closer members of his family were aware of. Alberto, his right arm and beloved son – today the new Omega manager – gave me the sad news a few days ago, saying it was Mauro’s will to keep this silent and to keep humbly working and enjoying life as always, as if the beast was not there. I took it as charming Mauro last joke, a bad one in this case, and I tried to smile reminding a picture on his desk of him embracing his beloved daughter Martina – today a young designer in Paris – and Alberto, and of the good life example he has left to them and to all of us in heritage. Napoli just lost another great ancient soul. So long, my dear friend, and long live Omega.

The Neapolitan artisans who make crib figures are famous all over the world, but not all of us have had the surprise of coming across life-size figures. The characters of the Neapolitan theater like Eduardo De Filippo, overlooking a balcony in Via dei Tribunali and the famous soccer Diego Armando Maradona walking in the street; or ordinary people walking through the city: a beautiful woman walking through Piazza del Gesù, a man with an umbrella in the wind in Piazza San Domenico Maggiore.

These marvelous figures seem to be made of wood or even marble, but this is not the case because the material used by the craftsman who makes them with passion is papier-mâché: it can be very strong but also very lightweight. What is papier mâché or cartapesta? The Italian tradition of Cartapesta dates back to the late 1600’s. It had its origins in Naples with presepe (nativity) figures as well as the life-size models of saints made for Holy Week processions, lighter to carry than wooden statues. If you want to see these life-size figures you can go to Claudio Cuomo’s laboratory, one of the best Neapolitan artists. His masterpieces are exhibited in many art galleries, but you can also find them around the city.

“The technique is very simple – says Claudio Cuomo- I start with giving volume with the paper and some sheets soaked in the glue, then I work with my hands. It’s a job that you learn by doing it. I also learn from mistakes, which are part of the creative process “. And so he invented the child with the balloon, the colorful fish, revisited the classic horns to wish good luck to friends.

claudiocuomosculpturesdrawings

Tonia Limatola

My blog tonialimatola.wordpress.com/

 

Her motto is “si vu ‘fa’ e Napule .. ‘nu muorzo!” (if you want to bite Naples) And she prepares chocolate as it once was done, proudly by hand and with lots of love. Pina Andelora (her nickname perzechella means small peach) had a small factory in the historic center of Naples, then it became a place of culture with the name the “Teatrino di Perzechella”. What happened? Eight years ago he met the man of his life: a street artist, Angelo Picone, better known as’ the Captain. Chocolate maker Pina, master of tammorre Angelo.  Since they have been a fixed couple they have a mission: to tell the values and traditions of Naples through art and creativity. So they joined forces and in the Teatrino of Perzechella, in Vico Pallonetto in Santa Chiara n.4, many young people arrive, from all regions of Italy and also from abroad, to learn the secrets of chocolate art (white, milk, and dark chocolates) and traditional music; and to take part in the “Marenna and show” (in Neapolitan Marenna would be bread with meatballs or eggplants).

If you want to conquer someone, rely on Perzechella who will advise you with what kind of chocolate to drive it crazy someone for you. The sfogliatella cream? The liqueur? Chocolates in the shape of a cup of coffee? In short, you have only to choose and fall in love immediately.

Tonia Limatola

My blog tonialimatola.wordpress.com/

 

Old clothes become works of art for the project “Nuages – morbidi approdi”

Going around the Neapolitan markets is a fascinating experience. You will like the contact with the popular soul of the city and the colors of the most beautiful, those Poggioreale and Resin, where you can find everything. Mostly the precious vintage-style clothes and the old clothes and jeans.

In common they will have an explosion of colors and the typical embrace of  the sinuous and sensual fabrics, which under the expert hands of two Neapolitan artists take the form of beautiful paintings.

Don’t you believe it? It’s possible thanks to the long work experience of Fabio and Paolo Lastrucci in the field of sculpture for theater and television, an activity that has been the engine of their research into materials and techniques for working them. Thus in 2012 the project “Nuages – soft landings” was born, unique works in polyurethane foam and fabrics.

Their sculptural-painting inlays are a borderline between art, scenography, advertising and furnishing design from which they draw techniques, styles and suggestions. “An almost unlimited palette that using upholstery, old curtains, vintage clothes, recovers everything that is textile as a pre-existing and” worn-out “shape that lends itself to significant returns by designing new routes”, says Paolo Lastrucci. Their works are    present in the homes of various collectors in Italy, France, Spain, England, Holland, Switzerland, Germany, Egypt, Sri Lanka, Mexico and Canada.

“The aesthetic references are nomadic and embrace a wide range of areas of visual communication, from painting to fashion, to advertising and comics, claiming a freedom of inspiration without constraints that echoes the bombardment of media images”, adds Fabio Lastrucci. In short, an eye turned to artists like Robert Kushner and another to the lesson of Pop Art to transform old clothes into true works of art.

  

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Tonia Limatola

My blog tonialimatola.wordpress.com